Everyone has the power to intuit the thoughts of others. Some have developed mind reading to a fine art, while others continue to deny its existence. It is not that we “hear voices,”
although this is possible; nor that we can transmit and receive symbols visually, the most common ESP test. It means that when we find a beloved family member deeply saddened by a loss,
and we seek to comfort that person by touching him or her, at that point we feel a physical sensation of change: we have established a rapport. We can now experience in some small way,
the grief or joy of another soul. This feeling of oneness is characteristic of telepathy, or thought transference, and is heightened by emotional stimulation or patient practice.

The goal of mind reading, then, is the establishment of mental rapport with the subject.
First, we must determine which type of person we are dealing with:

• Visual,
• Audial,
• Kinaesthetic

The visual representational system describes people who gravitate towards their visual field. These are types of people who are more in tune with their visual field.

When explaining something to someone who is visual they are most likely to picture it in their minds. Later, when accessing this conversation or story a visual person will be able to visualize the story in their head,

Artists are essentially visual, dealing with color, shape, and visual images; musicians exemplify

The auditory representational system describes people who gravitate towards their auditory field. These people are more in tune with their hearing ability and with sounds. They tend to listen to words and sounds and associate things with these words and sounds. People who are lean toward an auditory representation system often say “sounds good” or “I hear what you are saying.”

The kinaesthetic representational system describes people who depend on their feeling or sense of touch. These people are most in tune with their sense of touch. When talking with someone who depends on their kinesthetic representational system, they might say “hold on” when they are asking you to wait, sculptors might best express the kinaesthetic  group, working with texture and form. It is interesting to note that touch

is the customary test of reality for most people. Seeing an unusual object, they approach cautiously,
then reach out to feel if it is there. Likewise an eerie note or whistle emanating from
behind a grate will eventually lead the curious to feel for the vibrations at the source of the sound.

The way to determine what type of person we are dealing with is to observe his or her eyes. “The eyes are the windows to the soul.”

Visual thinkers look up when trying to remember or figure things out; listeners look from side to side (toward the ears); and touchers look down
when thinking . Observe to which quadrant the subject glances when thinking. Those who look above the level of the eyes, or appear unfocused, think and remember
in pictures. Those who look side to side are listening. Those who glance down and left remember by rote or chant; those who glance down and right are touchers. Looking to the
left indicates memory; to the right, reasoning. Holding the forehead (the third eye), rubbing the ears, and stroking the chin are all gestures used to stimulate or encourage mental processes.
Having determined in which category the subject should be placed, we must then adjust ourselves to his or her mode of operation. This is necessary because most people have no idea
how they process information; they only know that they do better in some areas than others. When speaking to one who is visually oriented, use words like “see,” “get the picture,” or “it
looks like.” This will make it easier for the subject to understand what you are saying and apply it to his own constructs or thought forms. Likewise for listeners, phrases such as “it sounds
like,” “it has been said,” and “I hear what you are saying,” are appropriate. For touchers, physical contact is best, but terms like “sensation…… feeling,” or “impression” can be applied.

This may be accomplished  through most basic form of meditation, by adjusting one’s rate of respiration to that of the subject. When experimenting
with associates, or practicing techniques together, always begin with this exercise. When the breathing of both parties is synchronized, rapport is achieved. This method may also be used
on the unaware subject, since it is so subtle that it goes unnoticed. Nonetheless it is extremely
powerful and effective.

Also, synchronizing your body language with that of the subject can increase rapport. Once sufficient rapport has been achieved, it then becomes possible to direct the activities
of the subject by “leading” him/her. This is a subtle form of hypnosis, not suitable for stage performance, but adequate for sharing a burden or giving advice. It is impossible to make another
person do your bidding by sheer force of will; but if you can get him to follow you, he may accomplish things far beyond any imagined limitations, and you may be permitted to
watch, hear, or feel the experience with the subject.

The following is a good test of rapport: When you think you and the subject resonate like tuning forks placed near each other, intentionally begin changing the breathing rate, then
the posture, then the tone of the conversation, to a topic of your choosing. If the subject is sad, remind him, in terms he can use, of happier experiences. If he has won a great or even
modest victory, rejoice in it with him/ her. Feel the electricity of each moment. Experience the magnetism of charismatic individuals, relive fond memories through the eyes of the elderly,
marvel at the wonder of an infant’s curiosity. This is as close as one may come to telepathy, or mind reading. It may be applied with equal facility to negotiation, investigation, or conversation. If one knows how, one can make
the impossible seem commonplace.

Intuition.

This  is the ability to instinctively know something without any formal source of information, almost every person has at least experience this state mostly if there is a sense of danger. some people are more intuitive than others,

however science has clearly shown that intuition is something that can be trained and gained just as any other skills, through specific meditations, Jose Silva dedicated his life to experiment on this field and discovered that when in stress human brain function on a very poor level, but when someone is relaxed creativity arises and more new information flow in. After 50 years of research he developed his famous technique Silva Method,

Conversational Hypnosis.

Conversational hypnosis is the ability to “hypnotize” people through conversation.  the word hypnotize is in quotations because generally speaking, conversational hypnosis does not put someone in a trance. Learning the skills of conversational hypnosis enables you to get people’s attention.

Everyone wants the ability to be clearly heard from other people. Conversational hypnosis allows you to develop rapport with another person so that you are easily able to convey your intentions clearly to another individual.

Conversational hypnosis deals a lot with NLP or Neuro Linguistic Programming. One aspect of NLP and conversational hypnosis are representational systems. There are three major representational systems: visual, auditory, and kinesthetic.

Being able to appeal to a any body’s  representational system (Visual, Auditory or Kinaesthetic)  allows you to develop rapport with them and a level of trust is established. It also helps the subject to realize that  you are there for them. They feel you understand exactly what they are going through. A person is more likely to listen to you and make up their mind if they feel confident and at ease around you.

To better yourself by the use of conversation hypnosis you can purchase the product from Steve G Jones A clinical hypnotherapy, on his site: www.hypnosistocontrol.com/

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